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Thundercat – Children of the Baked Potato (feat. Remi Wolf)

Thundercat - Children of the Baked Potato (feat. Remi Wolf) - BestNewMusic2025 - New Music 2025 > Q3 > W38

Thundercat – Children of the Baked Potato (feat. Remi Wolf)

Five years is a long time in music, but Thundercat makes the wait worthwhile. His double single “Children of the Baked Potato” and “I Wish I Didn’t Waste Your Time” marks his first solo release since 2020’s Grammy-winning “It Is What It Is.” Greg Kurstin produced both tracks, bringing his studio expertise to Thundercat’s bass-heavy universe.

“Children of the Baked Potato” gets its name from LA’s legendary jazz club, a hole-in-the-wall venue that’s been serving baked potatoes and showcasing jazz greats for over 50 years. Both Thundercat and Remi Wolf consider themselves products of this scene. Wolf’s commanding vocals match Thundercat’s frenetic basslines perfectly, creating a track that buzzes with the energy of late-night jazz sessions.

Thundercat describes Wolf as “a child of the Baked Potato like me,” explaining she “knew exactly what the song needed.” Their chemistry is obvious. Wolf’s vocal wails complement Thundercat’s virtuoso playing, while both artists tap into the club’s creative atmosphere. The song premiered on Tokyo’s massive Shibuya TV outdoor screen, spreading its LA jazz club energy across 42 screens in Miyashita Park.

“I Wish I Didn’t Waste Your Time” takes a different approach. Thundercat’s layered vocals float over dreamy synths, exploring themes of guilt and broken relationships. His distinctive falsetto croons “I think I’m in too deep/Maybe it’s all my faults/Creeping up behind/I wish I didn’t waste your time.” The track showcases his progressive R&B sound, introspective but still groovy.

Between albums, Thundercat stayed busy with collaborations. He’s worked with Tame Impala, Gorillaz, Silk Sonic, Kaytranada, and Justice. He even appeared in “Star Wars: The Book of Boba Fett” and performed on the rebooted “Yo Gabba Gabbaland.” His warm presence shows up everywhere from Gap ads to Coachella stages.

Both tracks prove Thundercat’s sound hasn’t lost its edge. His bass remains nimble and familiar, while his willingness to explore emotional territory keeps things interesting. After five years away from solo work, he returns exactly as himself.

stereobar
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